![]() However, when Katalin Helinszki, a Hungarian woman on Murderess' Row (who happens to be the only inmate to protest and insist on her own innocence), becomes the first woman in Cook County history to be executed by hanging, Roxie realizes the gravity of the situation and rehires Flynn. Roxie over-confidently fires Flynn, believing she can now win on her own. Amos is ignored by the press ("Mister Cellophane"), and Flynn, to create more sympathy for Roxie, convinces him that the child is Casely's, and that he should divorce Roxie in the middle of her predicament. To Velma's surprise, Roxie quickly steals back the fame by claiming pregnancy. Meanwhile, wealthy heiress "Go-to-Hell" Kitty Baxter, is arrested for murdering her husband and his two mistresses, and the press and Flynn focus more on her. Velma, unhappy at losing the public's attention, tries to convince Roxie to join her act, replacing the sister that she murdered ("I Can't Do It Alone"), but Roxie, now the more popular of the two rivals, snubs her just as Velma originally snubbed Roxie. The press believe the story praised by the public as a tragic heroine, Roxie becomes an overnight sensation ("Roxie"). Flynn and Roxie manipulate the press, reinventing Roxie as an originally virtuous Southern woman corrupted by the fast life of the city she claims that she had the affair with Casely because Amos was always working, but repented and left Casely for Amos, and Casely jealously attacked her ("We Both Reached for the Gun"). On Morton's advice, Roxie engages Velma's lawyer, the brilliant Billy Flynn ("All I Care About"). She learns the backstories of the other women there, including Velma (" Cell Block Tango"). Roxie meets her idol Velma, but her friendship is rudely rebuffed. Ambitious District Attorney Martin Harrison announces he will seek the death penalty.Īt Cook County Jail, Roxie is sent to Murderess' Row, supervised by the corrupt Matron "Mama" Morton ("When You're Good to Mama"). However, when the detective brings up evidence of Roxie's affair with Casely, Amos recants Roxie furiously admits the truth and is arrested. As Amos confesses, Roxie fantasizes a musical number devoted to her husband ("Funny Honey"). She convinces her gullible husband, Amos, to take the blame, telling him she killed a burglar in self-defense. After the show, Velma is arrested for killing her husband Charlie and sister Veronica, after catching them in bed together.Ī month later, Casely admits that he lied in order to sleep with her. Seeking stardom, Roxie begins an affair with furniture salesman Fred Casely, who claims to know the manager. ![]() In 1924, chorus girl Roxie Hart watches lead Velma Kelly perform ("Overture/ All That Jazz") at The Onyx, a Chicago theater. Zellweger won the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical, and Gere won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. For her performance, Zeta-Jones won the Academy Award for Best Supporting Actress, the British Academy Film Award for Best Actress in a Supporting Role, and the Critics' Choice Movie Award for Best Supporting Actress. ![]() The film went on to win six Academy Awards in 2003, including Best Picture, making it the first musical to win Best Picture since Oliver! in 1968. The film marks the directorial debut of Rob Marshall, who also choreographed the film, and was adapted by screenwriter Bill Condon, with music by John Kander and lyrics by Fred Ebb.Ĭhicago was critically acclaimed, with particular praise given to the performances of the cast. Roxie, a housewife, and Velma, a vaudevillian, fight for the fame that will keep them from the gallows. Chicago centers on Roxie Hart (Zellweger) and Velma Kelly (Zeta-Jones), two murderers who find themselves in jail together awaiting trial in 1920s Chicago. The film stars an ensemble cast led by Renée Zellweger, Catherine Zeta-Jones, and Richard Gere. It explores the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. Chicago is a 2002 American musical black comedy crime film based on the 1975 stage musical of the same name which in turn originated in the 1926 play of the same name.
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